Slather it on anything you would normally put cream cheese on for a vegan version. It has tang from the lemon juice, and the salt adds a savory flavor. This recipe tastes very similar to dairy cream cheese. What does cashew cream cheese taste like? There are so many delicious options it's hard to choose one. Or, use it in these amazing black bean enchiladas.
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The shape, for example, independently and strongly agrees with a leading theory regarding the formation of the Milky Way's stellar halo.Īccording to this framework, the stellar halo formed when a lone dwarf galaxy collided 7-10 billion years ago with our far-larger galaxy. H3 has gathered detailed observations of tens of thousands of stellar halo stars too far away for Gaia to assess.Ĭombining these data in a flexible model that allowed for the stellar halo shape to emerge from all the observations yielded the decidedly non-spherical halo-and the football shape nicely dovetails with other findings to date. The second dataset is from H3 (Hectochelle in the Halo at High Resolution), a ground-based survey conducted at the MMT, located at the Fred Lawrence Whipple Observatory in Arizona, and a collaboration between the CfA and the University of Arizona. Gaia has continued compiling the most precise measurements of the positions, motions, and distances of millions of stars in the Milky Way, including some nearby stellar halo stars. The first set is from Gaia, a revolutionary spacecraft launched by the European Space Agency in 2013. The new study by CfA researchers and colleagues leverages two major datasets gathered in recent years that have plumbed the stellar halo as never before. The goal has since been to study the patterns of over-densities of stars-spatially appearing as bunches and streams-to sort out the ultimate origins of the stellar halo. Through such studies, astronomers have realized that halo stars are not evenly distributed. Yet over time, astronomers have succeeded in identifying many thousands of stars that populate this halo, which are distinguishable from other Milky Way stars due to their distinctive chemical makeup (gaugeable by studies of their starlight), as well as by their distances and motions across the sky. "Unlike with external galaxies, where we just look at them and measure their halos," says Han, "we lack the same sort of aerial, outside perspective of our own galaxy's halo."Ĭomplicating matters further, the stellar halo has proven to be quite diffuse, containing only about one percent of the mass of all the galaxy's stars. The stellar halo extends out several hundred thousand light years above and below the star-filled plane of our galaxy, where our Solar System resides. "In order to learn more about galactic haloes in general, and especially our own galaxy's galactic halo and history, the stellar halo is a great place to start."įathoming the shape of the Milky Way's stellar halo, though, has long challenged astrophysicists for the simple reason that we are embedded within it. "The stellar halo is a dynamic tracer of the galactic halo," says Han. To better understand how galaxies form and interact, as well as the underlying nature of dark matter, stellar haloes are accordingly valuable astrophysical targets. In turn, that visible matter forms stars and other observable galactic structure. These halos serve as a sort of scaffold upon which ordinary, visible matter hangs. Every galaxy has its own halo of dark matter. This galactic halo is dominated by invisible dark matter, whose presence is only measurable through the gravity that it exerts. The Milky Way's stellar halo is the visible portion of what is more broadly called the galactic halo. Credit: Melissa Weiss/Center for Astrophysics | Harvard & Smithsonian This artist's illustration emphasizes the shape of the three-dimensional halo surrounding our galaxy. "We now know that the textbook picture of our galaxy embedded within a spherical volume of stars has to be thrown out."Īstronomers have discovered that the Milky Way galaxy's stellar halo-a cloud of diffuse stars around all galaxies-is zeppelin-shaped and tilted. "For decades, the general assumption has been that the stellar halo is more or less spherical and isotropic, or the same in every direction," adds study co-author Charlie Conroy, Han's advisor, and a professor of astronomy at Harvard University and the Center for Astrophysics. "There are a lot of important implications of the stellar halo not being spherical but instead shaped like a football, rugby ball, or zeppelin-take your pick!" student at the Center for Astrophysics | Harvard & Smithsonian. "The shape of the stellar halo is a very fundamental parameter that we've just measured to greater accuracy than was possible before," says study lead author Jiwon "Jesse" Han, a Ph.D. The results, for example, shed light on the history of our galaxy and galactic evolution, while also offering clues in the ongoing hunt for the mysterious substance known as dark matter. The findings-published this month The Astronomical Journal - offer insights into a host of astrophysical subject areas. Overall, "Autumn in New York" is a tribute to the city's energy and charm during the fall season, capturing the range of emotions that come with the changing leaves and cool weather. Dreamers with empty hands who "sigh for exotic lands" represent those who yearn for something more out of life, while lovers who bless the dark on benches in Central Park represent those who find solace and comfort in the city's parks and spaces. The song's chorus is a reminder that autumn in New York can often bring both the promise of new love and the pain of heartbreak. He also touches on how even those who are jaded and cynical about love can't help but be affected by the city's romantic energy.
# http-proxy-host = # http-proxy-port = 80įirst of all, a group needs to be added with URL to the source control server. In servers file, the following configurations are needed for the extra authentication. $ openssl pkcs12 -export -in temp.pem -out new.p12 Configure Subversion to Use Certificate-based AuthenticationĪfter installation, Subversion will create a directory structure like the following in home directory.subversion Convert p12 to pem $ openssl pkcs12 -nodes -clcerts -in cert.p12 -out cert.pem Convert p12 to pem (with password) $ openssl pkcs12 -in cert.p12 -out cert.pem Extract certificate from p12 $ openssl pkcs12 -nokeys -in cert.p12 -out cert.crt Extract key from p12 $ openssl pkcs12 -nocerts -in cert.p12 -out cert.key Generate p12 from cert and key $ openssl pkcs12 -export -in foo.cert -inkey foo.key -out foo.p12 Convert pem to p12 $ openssl pkcs12 -export -in original.pem -out new.p12 Change p12 password $ openssl pkcs12 -in original.p12 -nodes -clcerts -out temp.pem As a quick guide, I have listed most common commands used to convert certificates. In this case, a pem file is also required. But a lot of times, you need more than just p12. Now, it is jolly good that you have your p12 with you. While pem certificate is just like p12 containing both public key and private key, but also root certificates. In case you don’t know what p12 and pem are, p12 is a certificate format which is fully encrypted and password protected. pem) should be assigned to you for this purpose, and it can be converted back and forth to other certificate formats using openssl (more on the conversion in the next section). Certificate ConversionĪ certificate is used in subversion server to verify client’s identify. Subversion 1.7 and 1.8 (1.9 is the latest stable version but I can’t really speak for it) are proven to be working interchangeably, source code checked in using 1.6 may not be easily upgraded. It is important to make sure the version of Subversion installed is compatible with the subversion installed on the server. This should make easy using brew from a Mac. Therefore, I will be explaining how to use Subversion with certificate based authentication to access your super secure server. In order to keep the thing going, it requires a bit of black magic. There are also cases where a new feature will work but will run less efficiently if the client is new and the server old.Sometimes it is fashionable to move against the trend, such as using Subversion rather than Git. However, some of the new 1.8 features may not be available unless both client and server are the latest version. That is to say, you can use a 1.8 client with an older server, and you can use a 1.8 server with older clients. Older clients and servers interoperate transparently with 1.8 servers and clients. If you need to use multiple clients on the same working copy then be sure that you can update all the clients before upgrading the working copy. Migrating to 1.8 working copies must be considered a one-way operation. Pre-1.8 clients cannot access 1.8 working copies at all and there is no downgrade option. Because the working copy format has changed with this release, 1.8 clients cannot access an earlier working copy without first upgrading it. TortoiseSVN, AnkhSVN, and the SVN command line client. Subversion working copies are sometimes accessed using several different clients, e.g. Compatibility concerns Local Client Compatibility Watch Oxygen anywhere: On Demand, online, or across mobile and connected TVs. Having announced the full-time shift to true crime programming in 2017, Oxygen remains one of the fastest growing cable entertainment networks with popular unscripted original programming that includes the flagship “Snapped” franchise, “Cold Justice,” “Killer Couples,” “Criminal Confessions,” and breakout hit event series such as “The Disappearance of Natalee Holloway,” “Dahmer on Dahmer: A Killer Speaks,” and “Aaron Hernandez Uncovered.” Available in more than 77 million homes, Oxygen is a program service of NBCUniversal Cable Entertainment, a division of NBCUniversal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Licence to Kill opens with James Bond and his friend and confidant, DEA agent Felix Leiter, capturing notorious drug kingpin Franz Sanchez (Robert Davi). Oxygen Media is a multiplatform crime destination brand for women. “License to Kill” is produced by Shed Media with Pam Healey, Dan Peirson, Adam Kassen, Haylee Vance, Dave Kuba and Terry Dubrow serving as executive producers. With unprecedented access to Shayanna Hernandez, Aaron's fiance and the. Christopher Duntsch, a Dallas spine surgeon’s God complex puts patients at risk and it’s up to the fellow medical staff to blow the whistle before more innocent people are victimized. Featuring the untold true story of NFL superstar Aaron Hernandez from the viewpoint of those who knew him best. In the premiere episode, “Deadly God Complex,” Dr. Series chronicles accounts of patients put into jeopardy by medical professionals. Dubrow, DonnaKelli, William Thomas Jones, Natalie Daniels. The series recounts how authorities were finally able to stop these medical professionals’ malpractice, putting an end to the madness before someone else got hurt or killed. License to Kill (TV Series 2019 ) - IMDb License to Kill: With Terry J. Whether these doctors spiraled out of control over money, jealousy, power or from mental breakdown, viewers will get a look inside these killers’ minds who lost sight of their Hippocratic Oath and used their practice for evil, leaving their patients sick, injured, paralyzed or even dead. Told from the perspective of victims, families, colleagues and law enforcement, each episode of “License to Kill” exposes what happens when the hands that should heal are used to cause harm on patients at the most vulnerable times. Terry Dubrow (“Botched”), the series chronicles the harrowing accounts of patients put into jeopardy by medical professionals’ insidious use of their expertise. Oxygen, the destination for high-quality crime programming, investigates the jaw-dropping cases of murderous doctors, nurses and medical professionals in the new series, “License to Kill” premiering on Sunday, June 23 at 7pm ET/PT. Seubert was similar, undrafted but flashed enough for us to find a way. He was explosive in the preseason and we found a way to stash him for a year until he was ready. Only 1st, 2nd and third round players are allowed to have an impact in the NFL. Oh my bad Joey I forgot, undrafted, bottom round and cut players never make a contribution in the NFL, that never happens. In comment 15354218 BigBlueJ said: Quote: Yes, the Steelers “know” their LBing as we did in the ‘80s, but today? Headen, Robbie Jones, Byron Hunt and Pepper Johnson(pre Carson) are possibly playing elsewhere. The countless players who were not wanted that became good/solid players somewhere else are somewhat staggering through the years, imv. I’d bet you he sees the field for us and has an impact on passing downs. Nobody is saying he’s Lawrence Taylor but to be so negative and speak the way you did is shameful. So much for knowing anything and jumping to a conclusion. Have you seen him play? Have you seen the the depth chart of the steelers at edge? Sometimes it’s a numbers game They tried to sneak him onto their PS but he was claimed. That’s a great take from a person who watches football with blinders on. He's not going to do anything significant for any team in the NFL, ever. We are not good enough and neither is he. In comment 15354061 Tuckrule said: Quote:Ī guy not good enough to make a team isn't going to do crap for us. Roche was put on waivers and the Giants claimed him before the Steelers had the opportunity to put him on their PS. If no one makes a claim you are then able to put them on your practice squad. To put someone on your practice squad, they must clear waivers. I am glad the other guys cleared that up for you. If players didn't get poached then the Steelers could then sign them to their practice squad. Other teams like the Giants then got to poach the cut players before Pittsburgh could re-sign them. Everyone on the taxi squad got cut first before Pittsburgh re-signed them. given the context of the generally accpeted quote "You can never have enough pass rushers". So pitts liked 53 plus i6 players better. Roche was cut and the Giants claimed him. IN fact, a player can be claimed from a practice squad, but that's not, based on my understanding, waht happened. A larger practice squad (o, for that matter, a larger roster) enables a team to hold on to more players. Huh? What does the PS have to do with retaining him? Not saying he can't make it, but he has an uphill climb. in a year when the practice squad has been enlarged. If he had an abundance of it The Steelers would have found a way to hang on him.esp. © 2023 Pittsburgh Steelers.In comment 15353761 robbieballs2003 said:Īnd the Steelers, generally speaking, are pretty good at evaluating talent."talent" that thing you "don't give up on". Registered 39.5 tackles for loss, 26.0 sacks, five forced fumbles and six fumble recoveries in his 39-game collegiate career with Temple (2017-19).5), finishing with six tackles, three tackles for loss, 1.5 sacks, one forced fumble and one fumble recovery Earned second ACC Defensive Lineman of the Week honor after dominant outing in start at Duke (Dec.17) finished with season-high seven tackles (four solo), including 4.0 tackles for loss, one forced fumble and one fumble recovery Named ACC Defensive Lineman of the Week after dominant outing vs.Finished with 2.0 tackles for loss, including seven-yard sack, in start against rival Florida State (Sept.19), including game-high 2.5 tackles for loss Started and posted three tackles in road win at top-20 Louisville (Sept.Ranked second on Hurricanes and third in ACC with 14.5 tackles for loss.Tied for ACC lead with three forced fumbles and had two fumbles recovered.Started all 10 games at defensive end in the regular season and finished with 45 tackles, including 14.5 tackles for loss and 4.5 sacks.Delivered standout season in lone year with Miami (Fla.) after transferring from Temple in 2020. No need to build your own WebSocket to handle it. The payload is the minimal possible size. So you always use the data according to the proto definition. You can only interact with the API and data via the proto generated classes. Both the backend and the frontend uses the proto files as the source of truth. Let's say we want to get information about a user. Let's see an example comparing sending a JSON data via REST vs gRPC. # High-performance, minimal payloadįrom the slogan "A high-performance, open-source universal RPC framework", you can see the emphasis on performance. It's widely used inside Google, and a few more big-name companies. And GraphQL is the new hotness recently.). This might be the less well-known one (REST is the oldest, with native support. Nothing prevents you from making GET /list delete all the items. You have the total control of what you do, so you can have APIs with inconsistent naming, behavior. And whenever the backend changes, the frontend also needs to keep changes in sync manually. The frontend has to know the path, method, request format, etc. As you can see, there's no contract between the backend and the frontend. Need the backend and the frontend in sync.(But building a good one definitely requires more work) As you can see above, it's just a few lines of code to build and use REST API. You use it almost anywhere - within your app, inside browser devtool, or just curl. HTTP is the backbone of the web, so any platform / language come with it. Here's the backend implementation (example in Express.js). Whenever an HTTP request hits the path, do something and respond back data. The design of REST API is fairly straightforward: The backend exposes a path. To start, this is a basic structure of REST APIs. This is the most well-known type - whether you heard of the terms "REST", "RESTful API", if you have used an API, that you can simply call via curl command in bash of fetch in JavaScript, you are using REST API. Tech jargon aside, we can simplify them as three ways to build & use APIs. (Interestingly, I just found out on Wikipedia - Both gRPC and GraphQL started since 2015.) One notable big player is Apollo (opens new window). code/ (opens new window) has a list implementations in different languages (Note that it has server libraries for the backend to implement the API, and client libraries for the front end to use the API). There are many implementations of GraphQL. and use SQL language to work with the data). (just like SQL, you cannot "download SQL", you download softwares like MySQL that implemented the SQL language. So you use a library that implemented this language. Originally developed by Facebook, now open-source. GraphQL / (opens new window) is a data query language. It supports all the common backend/frontend languages. So you use it just like other frameworks/libraries - you install it by cloning the GitHub repo, or from a package manager (e.g. gRPC grpc.io/ (opens new window) is an open-source framework (Originally developed by Google).You can understand it like - we have HTTP, and engineers found out a code structure style that works very well for backend-frontend communication via HTTP. REST (REpresentational State Transfer) is a software architectural style.In detail, they are 3 very different things (not even talking about implementation and how to use). REST, gRPC, and GraphQL are the three main solutions for APIs nowadays. Go90 was an experiment out of a giant telecom company, and I think Quibi has a very different proposition of being able to figure out what it takes to be successful. Quibi has a better shot for a couple of reasons. Do you think Quibi will have a similar fate? Other than that, it feels very similar to dealing with the Netflixes, Hulus and HBOs of the world in terms of their taste and programming sensibility.īecause Quibi is mobile-centric and is getting a lot of early investment, it has drawn comparisons to the failed mobile streaming service Go90. We plan to work with them, but they have a different idea about content length. That platform is mobile-centric and will solely rely on short-form content, which sounds a lot different than streaming services like Hulu and Netflix. Disney+ and Quibi are also coming up, and we haven't even started getting into the stuff coming from NBCUniversal (NBCU) and WarnerMedia. YouTube and Hulu are investing in originals significantly. Apple and Facebook Watch are spending TV money. Now, there are almost a dozen that are all in the TV-budget levels, which has created a ton of demand. It used to be just Netflix, and Amazon for a little bit. In the past, only one or two services could really afford to spend the kind of money to go big and compete with cable networks. How does that affect content licensing when you’re trying to sell a show? There are more video streaming services than ever and that number will continue to increase. For, we're able to go to a place like Netflix and deliver a show that has the point of view of a network, the same way that you might get if you licensed a show from Bravo or NBC. But a service like Netflix is so distributed, and such an aggregation of different kinds of tastes, that it’s hard to distinguish what a Netflix show feels like. The job of the executive team was to take a show from a producer and shape it into a MTV show. For example, when MTV was in its heyday, every single show felt like a MTV show. Oftentimes, streaming services don’t have a programming mandate that’s as tight as a cable network’s. Right now, we can sell to everybody and be in business across the board. How do you balance the difference between their approaches to licensing?Ī giant war is going on between all these major companies, and we’re an independent arms dealer. You’ve sold shows to digital streaming services like Netflix as well as to traditional TV networks like CNN. Even from a talent perspective, they're just different universes in terms of economic models for productions. Frankly, the kind of thing that you could sell to Netflix is just not going to be something you could really afford to do on YouTube. We've never had to make a distinction between putting our creative on our YouTube channel vs. We now have a whole unit that's focused solely on developing shows that we think make sense in today's Hollywood marketplace.ĭo you ever contemplate licensing out a series that you had success with on YouTube? The difference in the two businesses was enough that we created separate divisions. On the internet, however, you can just make content, where you’re competing in a giant funnel. There are more buyers than ever before, but the resources are controlled by a small number of networks, studios and executives who have the programming budgets. We know what success looks like, and it's very different than what it takes to be competitive in the Hollywood landscape. We could achieve something that makes sense for a digital series and deliver it to our own audiences. And a lot of folks who had tried that were unsuccessful. We didn't think there was a direct one-to-one relationship from shows that made sense for YouTube or digital distribution to TV. Why did Vox Media start a separate division for licensing TV shows? With more people streaming video, the demand for licensed shows should only increase.Ĭhad Mumm, senior vice president and head of entertainment at Vox Media Studios, spoke with eMarketer about how the business of video content licensing is evolving as part of our recent report collection on digital video. In 2020, that figure will increase to 191.5 million viewers. We forecast that 182.5 million US residents, or 55.3% of the population, will be subscription over-the-top video viewers this year. Licensed content is clearly resonating with digital video viewers. Please visit Wizards of the Coast's website at if you want additional information about the company, its trademarks, or other intellectual property. According to the Wizards of the Coast LLC's Fan Site Policy, DnD Dice Roller may use its trademarks and other intellectual property. Wizards of the Coast LLC does not support, endorse, approve, or have any affiliation with DnD Dice Roller. Note: Wizards of the Coast LLC is the trademark holder for Dungeons & Dragons, Wizards of the Coast, and their respective logos worldwide. So why wait? Give DnD Dice Roller a try today and experience the ultimate tabletop gaming convenience! Add, remove or set numbers of dice to roll. Our core values include 24/7 availability, dedication to our users, and a commitment to providing the best possible dice-rolling experience. Lets you roll multiple dice like 2 D20s, or 3 D20s. Instead, you can access a virtual 3D dice roller from any device with an internet connection and enjoy a wider selection of dice styles and types.Īt DnD Dice Roller, we're committed to providing everything you need to play games, from our online dice roller to our innovative features. No longer are you limited to physical dice that can be lost or damaged. One of the key benefits of using an online dice roller like DnD Dice Roller is the variety of dice available. 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